There is also the important question of how sociable a path can be. Narrow paths, two to three feet wide indicate a solitary, thoughtful peaceful meander, but for two people to stroll amicably side by side you reaaly do need to allow a minimum of four feet. And if there is to be planting on both sides which will overflow out in informal waves then five feet is probably more suitable.
if the path is of gravel then the extra width can allow for that magical blurring which takes place when plants self seed among the small stones. Over successive seasons, a gravel path that is allowed certain freedoms will gradually become wider and wider with more and more plants growing in it until, imperceptibly, one is no longer on a path lined with plants, but rather walking in among the flowers to discover, perhaps, a small paved area harbouring a metal cafe table and chairs - the perfect place from which to enjoy being surrounded by sensuous sights and scents.
Gravel is a an extremely popular choice for creating pathways. Like a supermodel, it can adopt many poses depending on the image called for: crisp and smart, town or country, relaxed and informal, expensive or affordable. The only mistake most gardeners make is they simply don't use enough gravel and the result is more like a shingle beach - it must be firm and stable underfoot.
Gravel also adds another extra dimension - that of texture. And by changing the feel of the materials used at, say junctions of paths, you can manipulate the emphasis and importance of each route. Picture a path of timber stepping stones adjoining a gravel path, a different anticipation is created of a slightly mysterious, adventurous track leading deep in among the undergrowth.
And what about the glimpse of a decking walkway - don't you just know that water is going to be somewhere near?
Now imagine the sound and feel that each material contributes - the ubiquitous scrunch of gravel, the clicking of heels on hard stone and the soft rustle of disturbed woodchips - and one realises that we should learn from the gardens created by and for, the blind and incorporate this dimension of sound into all our gardens. |
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